This is the first full-length study of Gothic to be written from the perspective of Bakhtinian theory. Through discussions of works like Ann Radcliffe's Mysteries of Udolpho, Matthew Lewis's The Monk, Jane Austen's Northanger Abbey, and Mary Shelley's Frankenstein, Howard presents a new view of Gothic which enables her to intervene in feminist discussions of the genre, which have claimed it as specifically female. She suggests a way in which feminists can appropriate Bakhtin to make politically ...