Recorded music creation and consumption underwent a huge shift in the first two decades of the 20th century: from physical artifacts to digital; from fixed personal computers to mobile devices; from downloading and owning to streaming and access. This had a significant impact on the music 'assemblage' – the audio, performances, videos, films, books, games – that make up what we think of as 'music,' and gave rise to new forms of musical new media. Björk's Biophilia, widely acclaimed as the first ...